(That post is for all those interested, wheter tyou are eligibile to vote for the Hugos or not. )
When my dear father Jacques E. Laframboise was very ill, in 2014, we talked a lot about Science fiction, of which he was a avid reader. We were discussing dirigible flight, for my steampunk universe. He was the one to introduce me to the genre, especially with the Asimovian robots. I had gone on to become a scientist then, later, a science-fiction writer.
So there at the hospital, I promised him two things: that one day, I would get published in Asimov’s magazine. Which happened in 2021. The second thing I promised my dad was that, one day, I would hold the Hugo rocket, as a winner.
This might be a far-fetched dream. First, there are many wonderful writers out there who craft deep, original universes and mind-bending plots. Second, winning an award it is less important than telling many good stories. Third, I already have several awards under my belt. But I am still thinking about that promise.
Maragi’s Secret is my first novella-length story published in Asimov’s SF magazine.
So, here are my 2024 publications, and some links to read them. The nomination deadline is March 15th, final voting at the Seattle Worldcon.
Maragi’s Secret, Asimov’s May-June 2024 – 20 000 words
CATEGORY : novella
genre: SF steampunk (nothing to do with the big robot on the magazine’s cover!!!)
Short blurb: Maragi learns the ropes as a mast «monkey» aboard her father’s heavily-mortgaged airship, climbing its glacial hull six thousands meters over the poisoned Earth’s surface. She hopes to navigate the endless sky, humanity’s last refuge, but must face the scorn of crewmen who resent her presence. Little do they know the worse fate waiting a motherless girl in the straight-laced, rigid Cloud society.
Then, a fragile secret left by clandestine passengers forces a hard choice on her. Is saving it worth losing everything she cares about?
Analog Science Fiction & Facts has a blog where the editors interview the authors. This is my Q&A session for the latest story, “Living on the Trap”, published in the Nov-Dec 2023 issue of this SF magazine. And yes, I put on this picture, illustrating the perils of writing hard-SF !
The Pemmi-Con, the 15th North American Science Fiction Convention opens today at the RBC Convention Center at Winnipeg, 20-23 July 2023. Meet me at the dealer’s room with my indie publishing house Echofictions.
Short and sweet chocolate SF stories for the busybodies!
(Echofictions’ corner table at the back of the Dealer’s room)
“Echofictions provides short and sweet books for readers living with a limited attention span (a public nobody seems to care for), for people learning a second language or the everyday busybodies who lack free time! At the end of each book is a blank friendship list that allows the reader to pass it on. Most Echofictions books and graphic novels offer upbeat SF suitable for all ages, created by multi award-winning author Michèle Laframboise. “
With more than 40 titles out and counting, Echofictions stories are never boring and offer a range of hard-to-soft chocolate SF whose flavor will stay with you for a long time.
WHAT: Michèle Laframboise’s books, graphic novels, postcards, in French and English
WHERE: RBC Convention Centre Winnipeg 375 York Avenue, Winnipeg MB R3C 3J3
I think 2022 has been my best publishing year so far, with a new graphic novel and publications in Asimov’s and Analog. Go check the Echofictions website for more info.
I have been very involved in family affairs and caring fo my dear mother (who is well by now, fingers crossed) so I lacked free time to promote my works, and the Kickstarter fundraising for a special edition of my new graphic novel.
This Kickstarter will land you a solid 6″ x 9″ hardcover edition of Mistress of the Winds, printed in Canada by real nice people. At 92 B&W pages, it will include many sketches and behind-the-scenes extracts. The digital and paperback editions are already out.
Genre: SF, Planet-opera, YA Length: 92 pages Interior pages in B&W All ages
Why a campaign?
Crowdfunding does help authors to bring visibility to their creations. A practical aspect is that the category publication/fiction draws lots of new readers, eager to find new books.
As an artist, I supported many of my creative colleagues’ projects, not only on Kickstarter, but on GoFundMe, Indigogo, Ulule… and I ended up with more books than I can possibly read!
So I discovered formidable writers, whose careers I am avidly following, thanks to their campaigns.
Why in English, if I am French-speaking?
That first campaign is in English because of my writer friends living in the US, who have encouraged me to pursue my writing and get better. really, without them, I would have cease to be a writer… and a comic artist!
Some digital and paper rewards will be in French as add-ons. I point to my friend and colleague Frank Fournier who did the colors of my cover. And I will eventually prep a campaign for a French hardcover edition, too.
When does it start?
On March 28. I do not have a very high ask, but it is essential that each participant to make a contribution in the first hours! A campaign that reaches its goal fast shines more brightly on the Kickstarter website.
Producing the intro video ! Reading a text in front of a camera doesn’t look natural. So I did my best to explain, share my project, without hiding my French accent. It took about six tries to find the right tone.
The project
With Mistress of the Winds, you will discover a richly-developed world populated with vivid and endearing characters. Follow young Adalou as she struggles against powerful foes and her own body’s limits in the most prestigious kite contest of the planet!
This YA graphic novel kidnaps you into an alien civilization so out of this world that you will want to know more about it… and zoom through the pages to devour this delicious coming-of-age story!
It’s a date: my first Kickstarter campaign
To know more about the le graphic novel, here are some news about Maîtresse des vents.
After a busy summer counting birds and writing, I come back with the first English graphic novel for a long time!
On the leafy planet Luurdu, young Adalou dreams of becoming a wind mistress. Alas, she faces a thorny competition because the kite choregraphy brings a high prestige to women who excel in this art. Adalou must overcome her family’s opposition, her biological limits and the jealousy of high-class rivals to conquer her place in the sun.
A graphic novel set in the universe of the space-faring Gardeners, sprouting from the fertile imagination of Michèle Laframboise.
My fresh new YA graphic novel, Mistress of the Winds, set in my Gardeners’ universe, will be out an about in September. 92 pages, B&W art. The pre-order link is here.
An extract here.
I’ll Be Moon for Christmas
My Holiday-themed story, “I’ll Be Moon for Christmas” will be featured in Asimov’s end-of-year issue. With fine cover neighbors like Kris Kathryn Rusch and Ray Nayler! I devored their previous stories, which doesn’t mean I won’t discover the new (to me!) voices in this upcoming issue.
This will be my fourth publication in Asimov’s, laying to rest the idea of a fluke when the magazine accepted my first story. It is also my first Holiday SF tale and. by the title, you may guess what immortal song is playing in my mind!
Meanwhile…
On the Canadian front, I will have two stories coming up in Polar Borealis 25 and 27, edited by Greame Cameron. On the French front, there will be a hard-SF story coming up in the French SF magazine Géante Rouge at some point in 2022 or 2023.
Meanwhile, I tend to lag behind in the reading department… I should finish my current SF mags OnSpec, Analog & and Asimov’s !
Feast yer eyes! A mock-up of the book. I am waiting for my author copies…
I am emerging from a frenzy of art events in Montréal and the complexity of putting up a graphic novel with *Vellum* of all things. Now I can proudly boast my latest publication : Maîtresse des vents, a 92-page graphic novel in French, from my own SF universe. My cover pic has been put into magnificent colors by my talented colleague Frank Fournier.
It is my first graphic novel published since a few years. I published with my own indie house because I was tired of waiting after various French publishers all hoping for the next popular thing.
I had a blast drawing 16 new pages and sketches to complete the story, and will work to distribute the paperback version in some outlets. Here’s one of those recent additions.
There is a section with various sketches at the end of the book. It will be a small pocket book format. The electronic copies are available on various platforms.
If you are patient, I will get the English version done as soon as possible. After all, the computer technology and Clip Studio make this endeavor less painful.
…
Useful infos
Title: Maîtresse des vents, Un récit de l’univers des Jardiniers
A snowstorm of publications happened this month, in both official languages. I share this good news which, unfortunately, coincides with some not-so-good news in the vast world outside books and writing. (my good news coincides with the invasion of Ukraine, a country that has done nothing wrong, except being prosperous. By the way, yesterday I sent a short story for a collection in support of the Ukrainians.)
25 copies of 5 Stories of Hard and Crunchy SF have just arrived! Fresh from Rapido-Livres in Montréal. There will be some French copies of this science fiction stories collection at the Echofictions table at the Toronto Book Fair.
Publication of my story Moby Dick’s Doors in the 2022 Space Opera Digest anthology HAVE SHIP, WILL TRAVEL, edited by Tracy Cooper-Posey
Le secret de Paloma (Paloma’s Secret) is a finalist for the Alain Thomas Award at the Toronto Book Fair. The show is held in person on March 19-20, 2022. (The award is the former Christine Dumetriu Van-Saanen Award, but we lost Alain, that dedicated worker, in 2020).
Publication of Cousin Entropy in the Rosetta Prize Archives (a prize that rewards translations of a text published in another language). Thanks to N.M. Roshak for this beautiful work on La Cousine Entropie. See the Future SF site for more details. A Mandarine translation of Cousin Entropy should also be published.
The Rosetta Archives
My illustration for the Salon du livre de Toronto (Toronto Book Fair) illustrating this year’s theme: our legacies. Our legacies, theme of the 29th Toronto Book Fair
I just published a novel with Echofictions, Safe Harbor. Read more about it!
A warning to my faithful fans: this is NOT SF! But an ‘eco-fiction’ with an ecological and human problem at its core, set in a coastal village. A tale of a beautiful friendship between two women who have each lost a loved one. Dedicated to my mother, Thérèse Laframboise née Lorrain, who grew up along the river and loves fishing harbors.
Publication of my short story Essential Maintenance in Neo-Opsis 33, a Canadian speculative fiction magazine edited by Karl and Stephanie Johanson.
And, to add to the flurry, an email last Thursday announcing a second SF short-story accepted at Analog! It’s a great start to the month, and to Women’s Rights Day, which is really encouraging for a female SF author
TL;DR : Michèle’s new books and SF short-stories publications are out in several venues, in both French and English
Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.
Some details missing like the scuba and palms, but you get how I feel when writing… or reading a good book!
Those who enjoy scuba diving (or who, like me as a kid, had watched Commander Cousteau’s documentaries) know that before going back to the surface, you have to make mandatory decompression stops to allow the molecules of nitrogen/ helium who had taken refuge in your tissus under high pressure to leave your body, via your exhaled air.
Otherwise, the nitrogen can decide to turn back into gas while it is still lodged in your veins and your cells, and it would not be a pretty sight. Decompression sickness is as dangerous as its opposite, the deep nitrogen narcosis which develops sneakily if you spend a too long time at 100 feet deep.
Diving in deep water
For me, writing feels like diving into deep water.
Except that my decompression breaks are in the opposite direction! It takes me a long time to reach the level of concentration deep enought to penetrate a story. Levels of ‘compression’ or concentration…
My first level takes about 45 minutes to an hour. I go over what I wrote the day before to get the story and its atmosphere back inside my head; I check notions, places, etc. If I write 100 words in that period, that’s normal.
At the second level, which takes me about an hour to reach, I am entering the story at 300-400 words per hour.
At the third level, everything becomes magical: my fingers hug the keyboard and the ideas are transmuted into words without my having to stop. I feel like the story is writing itself, and I’m approaching 600-800 words an hour.
If I keep this on without interruption, I reach my fourth level of concentration: the story tumbles like an avalanche in my head, fingers and words roll like marbles on a flat table. It is paradise. I smash through the 1000 words per hour wall. Often, this happens in the evening, when I have a deadline approaching.
BUT… I do not descend to this 4th level often.
Ah, if only my concentration levels were simple steps! (Photo by Francesco Ungaro on Pexels.com)
Interruptions!
On the other hand, to go up to the surface, there is no need for decompression stops. Any distraction can yank me up in a jiffy. The phone, someone calling me, or the family member.
As soon as my enthusiastic husband comes to tell me about a techno gadget he saw on the Internet or heard about on the radio, poof! immediate surfacing.
If the conversation is less than a minute or two, and if I don’t have to think to answer any complex questions, I can dive back in and get through my ‘focus’ levels pretty quickly.
Alas, this is rarely the case.
Another condition favors my rapid return to the depths: the certainty that I will NOT be disturbed again in the next few minutes!
So, after 5 or 10 minutes that ate my concentration. And, when the interruption ends, I have to dive back in and redo my stops. And, often, barely submerged, of course, it’s already supper time…
Confession of an unfocused writer
I created this article from a recent writing mishap.
Here I was, happily tapping on a wonderful science fiction story set in Antarctica, pom-pom-pom… when all of a sudden, a flawed scientific detail jumps out at me. Have I correctly calculated the position of the sun below the horizon during the southern polar night? Have I checked the right calendar for the current polar night?
Rising to the surface, opening the Internet, checking the info, then letting yourself drift on the Wikipedia sites, drift farther on the Scott-Amundsen station site, watching the web cam (it’s cold here, but not as cold as in the South Pole)… And, I came to my senses with the crucial realization of having wasted my time. It internally annoys me.
On the heels of that realization came another torment: should I change an explanatory paragraph to place it closer to the opening of the short-story? My words are so tightly knit together that moving one paragraph or one word requires rewriting several others, before and after. And so, I paddled on the surface to juggle these paragraphs.
Finally, after trying to dive back, I decided to go for a walk outside to clear my mind, and come back at another time. I told myself that it’s still warmer here (in Canada, Ontario) than at the South Pole…
TL;DR: Writing is like diving, but with the “concentration” stops going down instead of up.
Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.
Echoes of a Sunday artist 
