Meet my fans: the success story fan

The successful fan... meets the slightly less successful writer!

Has this situation happened to you?

Fortunately, none of my old college friends are afflicted with such a materialistic mentality.   This meeting did not happen in a book fair, but at a dinner for young professionals at the Ecole Polytechnique. I was so well dressed that newcomers automatically takes me for a successful businesswoman. I had this same air as this comic  character…then, it is when they realize that I am a humble self-employed worker that potential contacts shy away.

For some media, the value of an artist or writer is primarily related to his or her financial success.

I do not scorn entrepreneurship itself, since I lead my own business. In a recent lecture given at a dinner of the AFAF, I mentioned that building a business, any kind of business,  requires a good dose of creativity!

SF and fantasy author Dean Wesley Smith (a prolific author who gives advice to young writers, his site is worth a visit) takes writing as a serious business. According to him, if you do not make a living from your writing, it is because you do not write enough or want it, work hard enough. This appears like a disdainful view of people whose productivity do not match his own. But the reasoning works also to remind us that we often find excuses for… not writing.

Well, there is an area for nuance or discussion, and all our situations and writing goals are not the same.  I like to dig a lot of infos for my SF novels…  besides doing comics as well. DWS believes in writing  a lot, and submitting a lot, and taking care of the business end. With a hundred novels published in twenty years or so,  he is an Olympic writing athlete himself! (A page in 10 or 15 minutes… faster than me, even when I have the story clear in my head).

This year, he gave himself the challenge to write 100 short stories for 2011. Yes, a hundred! There is already eight published, between 2500 and 6000 words each. It is fortunate that he repeats that every writer is different!  Nevertheless, his blog “Killing the sacred cows of publishing” offers great pointers and unorthodox advices.

DWS is very optimistic. In his opinion, publishers are always looking for new voices. And that too much rewriting  “blunts” your creative voice, the personal, original part of the creation.

It happened to me for my first novel Ithuriel (16 agonizing rewrites!), so his message resonates strongly with me. Obviously, DWS revises to correct the “ortograf”, or flagrant errors or blunders. But after that he rewrites only if his editor asks him. And after the contract is signed…

It was a stimulating reading for me. Dean Wesley Smith’s advices have the effect of  empowering a writer, reminding that he or she is not at the mercy of “the market” or agents. And to put the pleasure back in writing. Writers can achieve a good measure of “success” with effort and perseverance, without sacrificing their unique voice.
:^)

Coming out soon, the next Chaaas novel

My next SF novel, La spirale de Lar Jubal, will be out in one month. (It will be printed in January to hit the book shops on February, just before the Outaouais Book Fair ( www.slo.qc.ca ).

Cover illustration of Chaaas 4 by Sybiline

On Lapsilis, a cylindrical habitat orbiting a devastated planet, young and old work hard to build a spiraling grain crop for their future world. If questor Sirius approves of this zeal which reduces the crime to almost nothing, Chaaas notices many people burning themselves out.

Then a strange disease is decimating harvests. Who would benefit from destroying the dream of Lar Jubal, the brilliant visionary lost too soon?
Lar Corom, a charismatic artist, tipped to succeed the debonair Ludrinn as the colony leader? Noalli, the embittered wife of Corom, overlooking the floating garden ? Ruffan, a fierce supporter of a return to the original purity of the Gardener’s  creation ? Or Lar Eimer, a haughty scientific  who doubts the merits of the project?

Chaaas must investigate without being distracted by the amber eyes of Lali kha Nakarli … and his warming friendship towards Corom. With the help of Kiumi, a girl acrobat, Chaaas will discover secrets that endanger more than the dream of Lar Jubal…

The novel is in French, and as it is coming soon.  If you can read a little French, the book will be available from  www.Prologue.ca or www.Amazon.ca websites. If you have read and liked the other novels of the Chaaas series, you may let it know, either by typing a review or rate it on Goodreads.com. If you hated it: do the same thing. There is no bad publicity… :^)

The full coordinates of the novel:

Michèle Laframboise, La spirale de Lar Jubal, Médiaspaul, (coll. Jeunesse-Plus no 16), 208 p.
ISBN 978-89420-852-6.

The cover art is from artist Sybiline.  For once, you get to see the protagonist close, and Chaaas is quite handsome!

 

 

Chasing your wild ideas!

The science fiction author attempting to control the wild ideas for a novel!

There comes a point in writing where we feel that the story, the players and the universe that hold them have gained enough consistency to secure them in a tangible form. The ethereal cloud of infinite possibilities must now be condensed, into a brick (but not a too thick one!) Of course, there will always remain a small cloud of regret…

How to take this step without too much pain?

As I explained in another post, I do not have a rigid plan. I rather draw a grocery list. Here is one of the subplots in a novel work.  (It does not give the big punches, and if you can’t read French, my secret is safe, bwa-haha!)

Liste d'épicerie des intrigues secondaires d'un roman (elle s'allonge pendant la rédaction...)

I draw clouds of relationships between characters, and do the research to comfortably establish my imaginary world.

Nuages de relations pour le deuxième roman de la série Chaaas

An imaginary world well designed, whether in science fiction or in fantasy, do not only allows the author to return to it, but fans can also seize it (it happened with the universe Darkover by Marion Zimmer Bradley).

CAVEAT: Research is good, but … to some extent!

Trop de recherche nuit à la rédaction!

This is me writing a science fiction novel! Alas, too much “let’s google this, check up that” in the middle of writing the first draft of a manuscript will cut your swing, slow or even paralyze you. Oh, I wanted to read this post by Cory Doctorov sooner!

When you’ve worked and thought and lived with our stories behind the head, the characters grow and eventually become almost friends to the writer.

After the throes of planning is a very pleasant step in creating a novel. In my case, I enjoy doing lots of sketches that show a little life characters “outside” the scope of the novels. Here, I sketched a family scene from the world of Chaaas.

Le Bassin - croquis (et non, cette scène n'est pas décrite dans un de mes romans!)

The downside is that it might push the story in all  directions. And as it happens while I am writing, the manuscript gets longer! We must rein in those ideas, and jot down the wildest ones to recycle them for another story!

As the publishers have a specific format in mind for their books, there is usually a limit of pages to follow. We must strive to keep one or two main plot lines and give up many ideas and developments full of promises … with no guarantee that all the children of our imagination will emerge elsewhere!

Trimming down the manuscript can be tearful...

The Problem with Science : from Action Movies to the Real World

Climate and pollution: two distinct issues?

Earth, in pain, or in denial

A science-fiction author cannot help but follow the sciences as closely as she can, and observe the trends in controversy.

The last trend in climate change denial has come : informed journalists are now telling ecologists to stuff it, er… “focus on the real issues” (pollution, smog, loss of natural habitats) instead of global warming. While saying that the Kyoto, Copenhagen and Cancun meetings “were/are a waste of money”, they guide their environmentally-conscious readers to separate the good wheat from the useless chaff.Thinking in separate compartments

This thinking presupposes the existence of two separate file drawers: one called “climate” and the other “pollution”,  that cannot be opened at the same time. The same journalist berated environmental associations for exclusively working on GW and ignoring any other concerns. “Now that global warming has stopped sucking all the oxygen out of the room, some of those who care about the planet will turn to other – and more pressing – problems.” (The Globe and Mail)

So, all the time-consuming work about protecting fragile habitats, animal-flora rich wetlands and tropical forests done over the years by environmental associations, and even the very down-to-earth work by local volunteers, are conveniently swept under the rug.

Newsflash: if you worry about the loss of habitats, any climate change will affect those habitats all over the globe. The divided compartment mentality does not reflect reality. This reflex also come from our own cultural expectations.

The problem with science…

Armageddon movie poster: aaah, at last, a real, non deniable threat!

… is that science does not work like it does in American movies.

In any scientific thriller, the hero or group of scientists investigating a problem identify the cause in about thirty minutes, one hour tops. They find a working solution maybe twenty minutes after, and apply it, or synthesize the remedy, in less than 15 minutes of happy or tense viewing. In a dramatic climax, the world is saved in a nick of time! Even if the movie time frame is formatted, viewers get conditioned to expect “simple solutions, NOW!”

In Armageddon, there was no trouble identifying the rather large and obvious threat. No problem to get all governments acknowledging the threat.  There were some religious apocalyptic manifestations, but there were no groups claiming the coming asteroid is a hoax, no private industries funding “asteroid denial” websites. And the scientists worked seamlessly together to  prepare the solution.

If only the impact of our carbon emissions were that obvious to the naked eye… as are the agricultural landscape changes over two centuries.

In the real world…

Science is not, I repeat, not sexy. Neither fast.

Any research takes years, and scientist are trained in high specialization field. (My own M. Sc. memoir is about the Origin and evolution of two southwestern Quebec black soils* and deals with pollen sampling and reconstitution of the past environments of wetlands. By the way, those southern wetlands areas are shrinking fast).

The everyday work of in research, with the security measures (note the goggles, gloves, and the vent to evacuate the fumes)

Each research group work first on their own, publishing their results after a grueling process of checking and a peer review.  Annual conferences see thousands of researchers share and discuss their findings. For a problem of the magnitude of climate change, just getting the world governments to acknowledge the issue, then acting on it, required a staggering amount of work. Even a simple graph like this one needed a lot of data to build upon.

World GHG Emissions Flow Chart

So, no wonder the companies washing their hands from the climate change had a field day cherry-picking small discrepancies, glitches, approximations in the compiled results from more than 3000 researchers, aides, plus the several hundreds of individual studies recording global warming impact since 10 years. The so-called Climategate still makes the rounds on denial sites, even after investigations have cleared the research unit involved.

Few hard-working Janes and Joes can find the free time to check and counter false arguments, whereas millions are funneled to climate change denial websites and front “Institutes” muddying the waters with phony arguments or false rumors no one has time to check out. I once spent three hours to properly and scientifically deconstruct one false argument, but whatever balanced answer I produced was drowned in a sea of simplistic assumptions. Similar attacks on sciences come from the neo-creationists corner. Flat-Earth theory supporting websites (The round planet is an elaborated hoax!) can’t be far behind…

The problem with scientific arguments is that most humans react by emotions, mainly fear, rather than reason, especially when their lifestyle, beliefs and comfort are challenged. (Of course, all the denial websites boast that reason is on their side, and the others are fear-mongering groups with a world-domination agenda…)

A well-known psychological test showed that faced with two choices, either gaining five dollars NOW or waiting two weeks to get 10$, most people chose the the security of having the 5$ bill NOW, and who care for later? Any trade-off between short-term discomfort and long-term advantage has to get a powerful motivation. Like preserving the biosphere.

Anything challenging our present comfort zone is viewed with skepticism. It happen in any field: for instance, the link between smoking and lung cancer has been questioned… by tobacco industry experts.

If climate scientists had presented the problem along those lines:

The climate is a-changing
but fossil fuels are not the cause
there is a simple solution
that will only cost pennies
to tax-payers
and gain hefty profits
for enterprises
no one would have
to change anything
to their lifestyle

There wouldn’t be any climate change denial groups. (No more than “round planet hoax” denial sites.)

So, whether you believe in AGW, or simple GW without this horrible guilt-inducing “A” (anthropic), or not at all, let us focus on something else that will bring warm memories. Let’s go back to a time when the dreaded long environmental word was not widely used, when the problem was both obvious and (relatively) simple…

A clue from the past: pollution!

smog

We have since 1960 witnessed and document signs of environmental damage, destruction of natural habitats, loss of biodiversity, smog-related health problems, etc. The last 50 years, fossil fuels and car companies were repeatedly warned by the scientific community of the consequences of their gas emissions.

Did they lift a finger?

Did they put accessible electric cars on the market in the 70s to counter the well-known smog? The 80s? The 90s? No. Not because those companies harbor malignant intentions toward the population, but because of inertia and the ever-expanding value of the remaining oil.

The dynamics of acid rains

The dynamics of acid rains

Later,  fluorocarbon emissions problem began destructing our protective layer of  ozone, the acid rains killing our maples.

In each of those cases, there was some denial at first, and the concerned citizens had to work harder to raise awareness on those issues. When the companies agreed to some mitigating measures, it was only when pushed to the wall by the consumers and the governments. And, driven by the same economic forces, they put out green lies if they can get away with it.

So, their past behavior about pollution being a clue, the major companies and carbon emitters will not be inclined to cut their profitability or change their ways (except if governments fund their research for greener fuel extraction methods or carbon capture).

Schematic showing both terrestrial and geological sequestration of carbon dioxide emissions from a coal-fired plant. Rendering by LeJean Hardin and Jamie Payne

Instead, they will plunge in their  deep pockets to finance sites leaning their way, for as long as the oil runs. And the oil can run for a long time… if we stretch the resource hard enough.

And a glimpse of a future

There is another advantage for companies to bury their head in the (tar-)sands and “wait out” the crisis.

When the consequences of global warming – along with good ol‘ pollution –  will become un-deniable, when arable lands will be wasted through accelerated nutrient-depletion by over-cropping and desertification processes, along with the political turmoil that will only get worse, with the middle-class crunched under the economic wheel and millions of refugees bounced around… only the powerful will be able to buy their way into the few remaining pockets of untouched land.

In their secluded retreats, they will look upon the desert via their remote cameras, rewriting history. And they will record this fate:

the Earth diedDried-up Earth
from natural causes.

*

As for the rest of our descendants… Well, at least, there will be no more controversy !

Living in a bunker...

*

The full reference of my Master’s Memoir:

Laframboise, Michèle, 1987. Origine et évolution de deux terres noires de la MRC du Haut-Saint-Laurent. Mémoire de M. Sc., Département de géographie, Université de Montréal, Montréal, Québec. 94 pages. Directeurs: Paul Comtois et Pierre J.H. Richard.

Random pics from the last Spec Fic colloquium

The format of the Toronto Spec Fic colloquium, (one day, one track of presentations, then one evening of readings) was perfect for my busy schedule. The setting was very Gothic, at the Hart House, in the center of Toronto.

Inner Court of the Hart house

There, I finally met Peter Watts. I read his fiction via Nimbus, a story he published in a Solaris (issue 143), then later came in contact with his online fiction, which prompted me to buy the books!

Sunday artist with Peter Watts

The Sunday artist meets Peter Watts.
Nooo, don’t look below!

Props!

I used a prop for the photo, but reaching his level of SF writing will take a lot more time and efforts! Peter Watts is a specialist in marine biology, and is not afraid to consult and do extensive research for his novels. And he is also a proud squid overlord! (The squid term now refer to us SF writers, from a rather disparaging comment made about Science Fiction by Margaret Atwood. And I was in the room in 2003 when she uttered a similar comment!)

Julie Czerneda and Michele

Julie Czerneda, another Science-fiction writer who does not forget the science in Science-fiction. We look so nice from my arm’s length (and it did not need  climbing on a chair) !  I came back from the Spec Fic with her cool Trade Pact Universe trilogy.

Tony Burgess and Brett Savory at the Chizine table

Tony Burgess (He gave an ominous talk about raising young children while writing horrible things. We were treated to his recent horror novel trailer ) and to the right, Brett Savory, at the Chizine table. I also met David Nickle, whose dark fiction I discovered this year.

Karl Schroeder, Brett Savory and friends

Karl Schroeder with Brett Savory and friends.

Claude Lalumière gave a challenging speech, on when too much researching and science conformity can deter the creative sparks. Ahem. I myself tend to sink in the research for my SF novels… so as a budding writer, I was sensible to the arguments. But, as a former mad scientist, I like my science to be as up to date as possible in my novels

I bought his Object of Worship collection, and discovered a new and rich voice in the weird and fantastic. (More on my Goodread thread later!)

*

I took a few hours to walk at the Tightrope books office to assist to a very useful workshop on writing for children (and young adults), given by Marina Cohen. Her last novel, Ghost ride, is on the shortlist for the Red Maple Award given by the Ontario Library Association. She gave us tips on the craft, and also the business aspects of writing for a younger audience.

Tightrope Books office

Then, I walked back to the Hart House, on this fine autumn afternoon.

Election Boards

Or did I mention “on this fine municipal election day”?

Murale

A nice mural on the way.

Weeping willow

A weeping willow…

cats in their vantage  look out

And cute cats in a window, yaay!! Spying on the passer-by…

The nice hostel where I took the dozen or books from the Spec Fic for the night (as the event lasted until around midnight)! I began reading Maelstrom, by Peter Watts, then Object of Worship.

Pembroke Hostel

One hour at the signing table

Here is the photographic adaptation of the comics in the previous post, by an enthusiastic fan.

The one hour signing session at  a literature event

Réalisation by Christ Oliver, with Jean-Louis Trudel, a fellow science fiction author.

Now we are hoping for the movie adaptation.  It would not be a big-budget feature, but it would certainly echo with the many writers almost drowning in a sea of publications traveled by big corporate ships chasing the elusive best-sellers…

A tribute to all of you, artists able to create without the pressure of success!

Splendors and miseries of the signing table

Another bookfair is coming at Montreal! And, if you are a lesser-known author, you might experiment this:

One hour at the signing table.

One hour at the round signing table

I drew this page after some signing sessions for my novel Piège pour le Jules-Verne, my table close to the Harry Potter stand.

Jean-Louis Trudel, my fellow SF writer, had accepted to figure in the comic, and even contributed to the scenario.

This page was originally published in a fanzine, (MensuHell) and found an echo with many friends and comic creators, among them, Christ Oliver , who did a piece on it (coming on my next post).

My profound sympathies to the all writers who will experiment that desertic bookfair at the Salon du livre de Montréal , very well frequented. When there are more than 800 writers vying for the public’s attention, it is bound to happen…

Meet my fans: the paranoid fan!

Another close encounter at a bookfair…

The pananoidal fan

It really happened to another science fiction writer. I took some liberties towards the obvious flying saucer conspiracy theory…

It is more difficult to manage than the Zombie fan, or the angry fan (to come) because you want to stay polite, but the obvious awkwardness of the paranoid fan pushes other visitors away from your signing table!

And yes, there is a direct X-Files influence on that one! I loved the series despite the dark angle, for reasons too numerous to cite here. The humor, among them.

Meet my fans: The Zombie Fan (halloween special)

Over solicited fans walk kilometers in the big  book fairs, checking more than 700 stands, waiting in line for their favorite author, etc.  No wonder they pass your table, laden with heavy bags, their eyes blank…

The Zombie Fan at the signing table

This page comes from my ongoing collection Meet my Fans!

(French version here)

Yes, I am usually nicer to my faithful public!

I have “guesstimated” the average number of kilometers the public walk in an average book fair like the Salon du livre de Montréal: quite a lot! Around 6 kilometers (excluding the walk inside the Congress Center to get there! )

So, yes, reading is good for your health!

24-24 in Streetsville

Here are some pics of this global event, 24 hours of continuous creation at the Image Collection Comic Shop in Streetsville, October 2-3 . We started at noon this year. It took us an hour to decide what to draw, so it was around 1:30 that we got started!


An idea of the atmosphere at 9:30 PM.

Left, Daniel Oshino, our hero of last year, made a visit with her small daughter, hopefully as talented as him! Behind at the right, our fourth member and the only guy of 24-24 this year, Mike, 14.

The themes this year, (at least one):

– Conflict, internal or external

– Growth of an idea

– I do not remember the other themes!

I took the characters who were in the Japanese Brush, and developed a science fiction adventure. I planned eight pages before plunging into the production.

Also, we had friends visiting, to chat and draw!

at 9h30 PM

We tease, at 9h30. The two guys are visiting; the left one guy has passed the first 24-24 complete (he inked his 24 pages) three years ago. We see Todd, the manager of the shop, back with long hair, he has grown a beard since last year.

Kim started strong, deciding that she would produce more written pages, a bold approach. She left around 11 am. Mike and Tiff, being minors, are returning home to sleep around 11:30, planning to return in the morning. This means that I had sometime alone in the night with my drawings. It helped me because the drawing is not fast when we gossip!

This time we worked on a smaller paper format, like manga, so this helped!

TiffPage

A page very red by Tiffany

Tiff’s work: here is an artist to watch for! She was just 15 years, and she looks inspired by Tim Burton in its atmosphere. Her full story covers eight to ten pages. Mike produced a funny story of zombies, with 4 small panels per page, which allowed him to complete his 24 pages and even put some red on it.

Me, I let go of the color, those who know me know why! I was a little stressed around 4:00 AM because I  suddenly realized I had a chance to finish my ink, but only if I worked non stop!

Last Minute ditch

Page Last MinuteAt 11:40 AM, I finished my blanket, when, at 15 minutes remaining, Daniel, who came back to haunt us, told me about an unfinished page!

Needless to say I worked harder to finish on time!

3 Authors with their Comics

The three authors (Kim is not back yet) pose with their pages! Besides me, Mike and Tiff  rose to the challenge!

My 24h comic book!

My 24-page new comic, inked!

My inking is not perfect, but it surpasses what I did last year. A new adventure of the Otaku Ladies!