Category Archives: Science-fiction

A Snowstorm of Publications

Posted on March 11, 2022 | Leave a comment

A snowstorm of publications happened this month, in both official languages.  I share this good news which, unfortunately, coincides with some not-so-good news in the vast world outside books and writing. (my good news coincides with the invasion of Ukraine, a country that has done nothing wrong, except being prosperous. By the way, yesterday I sent a short story for a collection in support of the Ukrainians.)

  • Publication of my story Moby Dick’s Doors in the 2022 Space Opera Digest anthology HAVE SHIP, WILL TRAVEL, edited by Tracy Cooper-Posey

Le secret de Paloma (Paloma’s Secret) is a finalist for the Alain Thomas Award at the Toronto Book Fair. The show is held in person on March 19-20, 2022. (The award is the former Christine Dumetriu Van-Saanen Award, but we lost Alain, that dedicated worker, in 2020).

  • Publication of Cousin Entropy in the Rosetta Prize Archives (a prize that rewards translations of a text published in another language). Thanks to N.M. Roshak for this beautiful work on La Cousine Entropie. See the Future SF site for more details. A Mandarine translation of Cousin Entropy should also be published.
The Rosetta Archives
  • My illustration for the Salon du livre de Toronto (Toronto Book Fair) illustrating this year’s theme: our legacies. Our legacies, theme of the 29th Toronto Book Fair
  • I just published a novel with Echofictions, Safe Harbor. Read more about it!

    A warning to my faithful fans: this is NOT SF! But an ‘eco-fiction’ with an ecological and human problem at its core, set in a coastal village. A tale of a beautiful friendship between two women who have each lost a loved one. Dedicated to my mother, Thérèse Laframboise née Lorrain, who grew up along the river and loves fishing harbors.
  • Publication of my short story Essential Maintenance in Neo-Opsis 33, a Canadian speculative fiction magazine edited by Karl and Stephanie Johanson.
  • And, to add to the flurry, an email last Thursday announcing a second SF short-story accepted at Analog! It’s a great start to the month, and to Women’s Rights Day, which is really encouraging for a female SF author

TL;DR : Michèle’s new books and SF short-stories publications are out in several venues, in both French and English

Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.

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Diving into the Writing : Concentration levels

Posted on February 1, 2022 | Leave a comment
Some details missing like the scuba and palms, but you get how I feel when writing… or reading a good book!

Those who enjoy scuba diving (or who, like me as a kid, had watched Commander Cousteau’s documentaries) know that before going back to the surface, you have to make mandatory decompression stops to allow the molecules of nitrogen/ helium who had taken refuge in your tissus under high pressure to leave your body, via your exhaled air.

Otherwise, the nitrogen can decide to turn back into gas while it is still lodged in your veins and your cells, and it would not be a pretty sight. Decompression sickness is as dangerous as its opposite, the deep nitrogen narcosis which develops sneakily if you spend a too long time at 100 feet deep.

Diving in deep water

For me, writing feels like diving into deep water.

Except that my decompression breaks are in the opposite direction! It takes me a long time to reach the level of concentration deep enought to penetrate a story. Levels of ‘compression’ or concentration…

My first level takes about 45 minutes to an hour. I go over what I wrote the day before to get the story and its atmosphere back inside my head; I check notions, places, etc. If I write 100 words in that period, that’s normal.

At the second level, which takes me about an hour to reach, I am entering the story at 300-400 words per hour.

At the third level, everything becomes magical: my fingers hug the keyboard and the ideas are transmuted into words without my having to stop. I feel like the story is writing itself, and I’m approaching 600-800 words an hour.

If I keep this on without interruption, I reach my fourth level of concentration: the story tumbles like an avalanche in my head, fingers and words roll like marbles on a flat table. It is paradise. I smash through the 1000 words per hour wall. Often, this happens in the evening, when I have a deadline approaching.

BUT… I do not descend to this 4th level often.

Ah, if only my concentration levels were simple steps! (Photo by Francesco Ungaro on Pexels.com)

Interruptions!

On the other hand, to go up to the surface, there is no need for decompression stops. Any distraction can yank me up in a jiffy. The phone, someone calling me, or the family member.

As soon as my enthusiastic husband comes to tell me about a techno gadget he saw on the Internet or heard about on the radio, poof! immediate surfacing.

If the conversation is less than a minute or two, and if I don’t have to think to answer any complex questions, I can dive back in and get through my ‘focus’ levels pretty quickly.

Alas, this is rarely the case.

Another condition favors my rapid return to the depths: the certainty that I will NOT be disturbed again in the next few minutes!

So, after 5 or 10 minutes that ate my concentration. And, when the interruption ends, I have to dive back in and redo my stops. And, often, barely submerged, of course, it’s already supper time…

Confession of an unfocused writer

I created this article from a recent writing mishap.

Here I was, happily tapping on a wonderful science fiction story set in Antarctica, pom-pom-pom… when all of a sudden, a flawed scientific detail jumps out at me. Have I correctly calculated the position of the sun below the horizon during the southern polar night? Have I checked the right calendar for the current polar night?

Rising to the surface, opening the Internet, checking the info, then letting yourself drift on the Wikipedia sites, drift farther on the Scott-Amundsen station site, watching the web cam (it’s cold here, but not as cold as in the South Pole)… And, I came to my senses with the crucial realization of having wasted my time. It internally annoys me.

On the heels of that realization came another torment: should I change an explanatory paragraph to place it closer to the opening of the short-story? My words are so tightly knit together that moving one paragraph or one word requires rewriting several others, before and after. And so, I paddled on the surface to juggle these paragraphs.

Finally, after trying to dive back, I decided to go for a walk outside to clear my mind, and come back at another time. I told myself that it’s still warmer here (in Canada, Ontario) than at the South Pole…

TL;DR: Writing is like diving, but with the “concentration” stops going down instead of up.

Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.

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“Have Ship, Will Travel” Launches today!

Posted on January 27, 2022 | Leave a comment

It’s not a play on the other quip Have gun, will travel, but this 400+ pages Have Ship, Will Travel anthology zooms into the space opera adventure stories your inner child covets.

The Space Opera Digest 2022, “Have Ship, Will Travel”, directed by Tracy Cooper-Posey, is published by Stories Rule Press. Stories Rule Press, in Alberta, Canada.

And with veteran writers like Kristine Kathryn Rusch and Douglas Smith heading the table of contents, you can be confident that you will pass a jolly good time on the routes of space! Of course, I do have a story featured in the Space Opera Digest 2022, that I hope you will enjoy as much as I did writing it.

So without much ado, here is the cover, and the link to get your electronic hands on the loot!

Are you craving a paper book, like this appetizing pic suggests? This anthology has a generous paper edition, and I know I will cherish my own copy!

https://books2read.com/HaveShipWillTravel

More info? Editor Tracy Cooper-Posey writes across several fiction genres, including space opera under two different pen names, and grew up reading classic science fiction.

Adventures among the stars need a ship to get you there.

Stories Rule Press presents Space Opera Digest 2022: Have Ship, Will Travel

Space Opera heroes and heroines explore the stars and discover cool new places in ships which range from beat-up rust-buckets to sleek technologically advanced craft that are the envy of the galaxy. Space ships are quintessential for the adventures and challenges our favourite characters face.

Come and explore over 400 pages of worlds of wonder and the ships our heroes fly with Stories Rule Press’ 2022 edition of Space Opera Digest.

Space Opera Digest 2022: Have Ship, Will Travel is the second volume in a quarterly collection of genre fiction anthologies presented by Stories Rule Press.

“Sole Survivor” by Kristine Kathryn Rusch
“Captain” by Stephen Sottong
“Big Top” by Sonia Orin Lyris
“Cycle Three” by Stephanie Mylchreest
“Star Cruise” by Ron Collins
“Watch of the Starsleepers” by Christopher D. Schmitz
“Tome Raiders” by Eric Del Carlo
“The Passenger” by Eve Morton
“An Ordinary World” by J. L. Royce
“Insanity is Infectious” by Cameron Cooper
“Achenar” by Jasmine Luck
“Moby Dick’s Doors” by Michèle Laframboise
“Learning Curve” by Neil Williams
“Exotic Matters” by Phil Giunta
“An icub on Mars” by Barbara G. Tarn
“Of Hedgehogs and Humans” by Rob Nisbet
“Smugglers Blues” by Blaze Ward
“Altered Skin” by Sara C. Walker
“An Unexpected Taste of Home” by Terry Mixon
“Symphony” by Douglas Smith

Space Opera Science Fiction Anthology
__

So, heed the call of adventure, and embark today !

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A Story at the End of the Universe

Posted on October 16, 2021 | Leave a comment

True to the laws of thermodynamics, the expanding universe keeps cooling down. Now, the last transformed humans linger near the black hole at the center of our Galaxy.

The UnAttached, who count their age in billions of years, feed on the powerful X-ray emissions and rail against Entropy, that selfish cousin who sucks leftover energy. The Attached, recently forced to leave their ruined worlds, live too fast.

As the stars around them wink off one by one like in a dying city, what can they hope for ?

A short and crunchy hard-SF story set far, far in the future, told by multi-award winning author Michèle Laframboise, translated from the French by N. R. M. Roshak.

Accolades

The short-story published in Future SF had received several accolades:

“Cousin Entropy”… has a wonderfully Stapledonian scope. –Locus Magazine

“The hardcore physics fans out there will certainly enjoy this.” –Kat Day, for Tangent Online

“…a far-flung space opera reminiscent of Liu Cixin’s book.” –Alex Shvartsman, Future SF

“...a wonderful piece of Science Fiction, full of physics and feeling.” –Eamonn Murphy, SF Crow’s Nest (link underneath)

Future Science Fiction Digest #7 June 2020 (e-magazine review).

My inspiration for this story

My father Jacques- E. Laframboise had a fine telescope, and I recall many summer nights where he would adjust the position with patience, to point at this or that star, or planet. I still have the 1970’s astronomy books he had bought and, with another telescope, I search the skies, when said skies are not obscured by clouds or the luminous pollution of cities.

I always pondered the fate of our (pear-shaped) universe. The heat death of the universe linked to the ever-growing Entropy, does rarely make for an upbeat story, but add the transformed, long-lived remnants of humanity, and a pinch of spicy black energy, a tiny bit of humor, and voila!

I wrote the story in a short form, so it makes for a thin paperback, be warned. However, I allow my readers to share the paperback and give it to someone close, so you commpose your own chain of friendly atoms.

The translation had been done and edited by N. R. M. Roshak, to whom I owe a lot of gratitude. French is my first language, but a growing part of my public understands and read in English.*

Get your own End-of-the-Universe Story!

Fresh from my indie house Echofictions, Cousin Entropy has come out on several platforms. You can even order a paperback on Amazon.ca.

About the the nice cover image: it is a NASA/ESA pic taken by the Hubble Telescope, showing two colliding galaxies nicknamed The Mice, located 300 million light-years away in the constellation Coma Berenices.

* The French version, La cousine Entropie, is also available.

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A Promise Kept – my First Story in Asimov’s!

Posted on August 18, 2021 | 2 comments

After 16 years of besieging the English-language sci-fi magazines, a breach has been opened in Asimov’s wall. My sarcastic new “Shooting at Warner’s Bay” is out this month.

(Don’t look for my name on the cover, about 20 and 25 authors participate in each double issue!)

A promise kept

It is a special moment for me, because it was a promise I made to my father on his hospital bed, in November 2014. I had already started my cycles of submissions, but I had a lot less stories written at this time. Now with 120+ written texts, including 80 in the current submission cycle, I’m not short of ammo!

My dad Jacques E. Laframboise had a large library of science fiction and fantasy books (the Black Marabout collection). I read a lot of classic horror authors (Jean Ray, Claude Seignolle …), but science fiction was really more my thing. I had loved the Fin d’Ylla, a very, very old thing re-edited by Marabout. The Robots, by Isaac Asimov. A collection of translated short stories from Harlan Ellison.

Science fiction nourished my imagination, even if it had not made me popular with my French teachers, for whom there was one Literature with a capital L (generally written by long-dead, white Europeans guys) and the ‘paraliteratures’ like the detective, SF, fantastic novels that I read voraciously.

Of course, I would have preferred to get at this happy point earlier, so that my dad, and my grandma Edmée Laframboise (who loved to read detective stories) could rejoice with me. But, that’s life. And, at least, those stories will live on and find new readers.

Laying siege with perseverance

Table of submissions in October 2020 – almost 60 texts in the race at that time. Subs in French are now on a separate spreadsheet. Red: refjections. Yellow: active submissions. Green, acceptances. Blue: scheduled submissions.

Looking at that table, you can guess some mags answered faster than others.

The American pro SF mags pay very well, and they sit at the top of my mailing list for submitting a manuscript. Then, if the text is refused, I go to less prestigious magazines, then to semi-pro (which pay, but a little less) and finally to the “token” markets. To understand all these categories, I recommand the page of Ralan, who has devoted himself for 25 years to disentangling the “markets” (as named from the point of view of the author who is paid by the magazine).

SF pro magazines like Asimov’s receive several thousand texts per year. The acceptance ratio of pro mags being very low, that publication means more pressurized air inflating my pride balloon !

Climbing quality raises the acceptance bar

The overall quality of submitted texts always rises… and that’s good news for the readers!
Photo de Monstera sur Pexels.com

And as editor Scot Noel of DreamForge magazine pointed out, the average quality of the submitted stories is climbing, which makes it more difficult for the first readers to sort through the slush pile. The same phenomenon occurs for all other magazines as the level of writing increases. It is rather good news for the readers, but a challenge for a would-be writer. It is no longer enough for a story to be good, it has to shine, to stand out.

And, for me, I had to stop telling myself “I must write like X or Y” and to dive into my favorite flavor without feeling guilty for not writing in the genres in demand, especially with lots of deaths like horror or thrillers.

And I have to write with my heart, too, otherwise it would sound like a niah-niah-look-at-me exercise. That story in Asimov’s sprouted from my sympathy for ignored Hollywood actresses, and was fun to write. It flowed smoothly and didn’t require too many revisions or line edits.

By the way, why do I specify “my first story”? Because I am currently revising another short story, which will be released in 2022 in this same magazine. And I don’t miss any “ammunition” for other SF magazines!

Asimov’s, September-October 2021, double issue. For electronic subscription. Otherwise, run and buy it at the newsstand!

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Building a House of Cards

Posted on August 10, 2021 | Leave a comment
My plotting process

Fragile as a house of cards

Any strong, researched plot I build looks as fragile as a house of cards in my mind. This is how I feel when writing a novel, a short-story, anything, in any genre including romance and science fiction.

And this happens to me even when I plan my stories in advance. The carefully-laid plan goes by the window after a certain point in the writing. And for my very first writing endeavour, I had bought into the “not writing a line before the plan is perfect” and followed by “show your work-in-progress to everyone (and get their advice)” to “rewrite ad nauseam until its polished and smooth.”

I found out that I am closer to a pulp writer than a once-every-ten-years literary author. So I write mostly by the seat of my skirt those days, going back if a nifty details grabs my attention.

My scientific self vs my story-telling self

And it doesn’t help that I am a SF writer who likes baking hard and crunchy SF stories. Sometimes I even overcooked them, making them so hard nobody could access its softer heart!

My scientific upbringing and formation in geography and engineering (even if I didn’t make a career in those fields) had left me with a reflex to check my premises and promise to my readers. I’m a nit-picker. I like flying off on the wings of pure fancy, but at a point my basic knowledge of sciences trips me.

Of course, I could stay in the fancy realm and ignore the science and call my story science-fantasy, where the ships engine screech like mad demons in the vaccuum of space.

Moreover, at any point in time, even the most concrete-hard SF story will be caught up by real science advances (e.g. lab-grown meat or gravity waves). The most I can do about a nagging detail is making a check in my paper books and on the web. If I have to research for more than one hour, without finding anything regarding this devilish detail, I leave it in the story.

Ta. Catch me if you can!

Melting chocolate fudge or rock-hard cocoa?

For me, some details are almost impossible to ignore. Like when you read a contemporary police procedural novel and your detective picks up various things around a body, with his bare hands! Unless it is set in a past era, everyone knows about prints, and now DNA! The same goes for your cat burglar who handles art items without gloves.

Some basics in science fiction are difficult to ignore, like the sound of ships in vacuum. I believe in making as much research as necessary for the story to hold together and not crumble, but if you are not a NASA rocket specialist, or a military strategist, it’s no biggie. Keep the very basic and improvise (ahem, build up) from there. I did read some hard-candied fiction by authors who have a professionnal background, but I do not expect to imitate them!

As one writer told me, you make your science as palatable as you like, whether soft, chocolate fudge that melts in the mouth, or hard 80% cocoa chocolate bar that defies the teeth! Telling stories should feel fun, not like dragging a chain and 100-kg ball behind oneself.

And you have all kind of readers from wide-eyed children to glazed adults, and the whole spectrum between. Some might prefer the melting in the mouth parts. The characters of the story will bear the weight of the plot, and the emotional/personal impact of the situation at hand (or at tentacle) will nab your reader.

Writing is not a straight line

Do I go back and change things? You bet!

And generally, many of those details are about the characters interacting with their environment. I tend to follow the rule of three mentions, adding at least two instances of the details, so it sticks in the reader’s mind. For instance, in my novel Paloma’s Secret, one of the teenagers had a favorite and fun catchphrase, that I only found out about in the last chapters. So I went back and change the dialogue to add the catchphrase in the first chapters.

Do I write in order from word one and not stopping to the end? Nope. I have novels that begun with one impressive scene, plus the prequel and consequences woven out of the strong scene. Or a novel is a tiny seed that grows and grows.

Yes, my first efforts looked like a very convoluted garden hose.

As for my recent efforts at story-telling, you might get to see one very soon in the next issue of Asimov’s Science Fiction.

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Reading Shock…

Posted on August 28, 2020 | Leave a comment
The reader, after finishing a good book, want's to thank the writer A.C. Crispin, but finds out she's gone.

I just finished “Sarek” an excellent SF novel by Ann. C. Crispin, set in the Star Trek universe.

In these trying times, I need some comfort readings, which I get from some Star Trek novels.

I just finished Sarek, (a story with Spock’s dad), a tale with finesse and a touch of Pon Farr that enriches the universe of the original series. (I ignored the ST reboot at the cinema). There, we meet Amanda in depth, and learn about her love affair with Sarek. The novel shows up this Vulcans are not walking cold computers, not perfect, but people with their own emotions, tradition clashes, preferences, disagreements. But they settle their difference in a more zen manner.

As with “Vulcan Heart” by Josepha Sherman (another fine writer we lost in 2012) and Susan Shwartz (many thanks to you!), this reading leaves me with a strong impression that our humanity, sick with conspirators, hate groups, anti-vaccines and anti-science, would need Vulcans (and also the Bene Gesserit, but that’s another universe). Just the basic control of emotions and the philosophy would prevent many problems from even happening (what’s the logic in despising dark-skinned persons?) in addition to cleaning up most prejudices.

The only flaw in this book, alas, is that we can no longer thank its author … Ann Carol Crispin left to count the stars in 2013. It’s a shock when it is a contemporaneous author who disappears.

Has the same thing happened to you? What was your most shocking experience? Please, share your testimony, because I haven’t found my zen state yet. So many writers to be grateful to, so little time!

Fortunately, Ann C. Crispin and the other departed writers have left many books behind, like a trail of excellent chocolate chips leading to the stars!

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A Happy Bundle of YA Books!

Posted on April 18, 2020 | Leave a comment

StoryBundle was created by Jason Chen to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price.

Discover the YA MegaBundle!

All Books Large800

The YA MegaBundle organizer, Anthea Sharp, explains her motivation to link readers and writers with a super ebook deal. I met Andrea in 2016 and she is a talented musician as well as a writer. So I was delighted to be included in the Bundle with my YA SF novel Clouds of Phoenix!

A Word from the YA MegaBundle Curator

“I love connecting authors with one another, and with readers. This huge multi-genre project is a perfect chance to benefit a good cause (children’s literacy) and bring a little brightness into the world—for parents and teens alike—during this difficult time. Continue reading →

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Brave new Worlds

Posted on April 6, 2020 | Leave a comment

BraveNewWorldsboxset

Worlds on the brink of apocalypse, or already there.
Nature’s wrath and dominion over humanity, and humanity’s folly incarnate.
Dark magic, terrifying tech, greed, ravaged environments, rare courage and grim hope in lost cities and fallen worlds.

Brave new worlds or last best hopes — Dare you glimpse the future?

Here Be Brave new Worlds – 13 SF & fantasy futuristic stories, novellas and novels, collected by U.K. author A. L. Butcher. I have read some stories by J.D. Brink, Rob Jeshonek and Leah Cutter previously, and their stories are a fine level.

My contribution is the dystopian story Ice Monarch. 

montage (1)

 

Come and get it, on the main platforms!

 

 

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I fell down a rabbit hole… (The joy of researching)

Posted on February 12, 2020 | 3 comments

2020MicheleMontreTard800

I did it again!

I am researching for a SF novel in preparation (the specifics I keep to myself for now) and, one interesting site after one fascinating site, found out that time compressed itself and most of the afternoon had fled down the rabbit hole!

I do not know if my scientific formation aggravates this time-sink habit. I hold a Master degree in geography, and so many aspect of macro-ecology do hold my interests!

Plus, even the very day-to-day concerns penetrates my Serious Writer mode.  From the over-usage of single-used plastics that keep turning up in the remotest places or the oceans, to the waste of my own pens and stylus, to the upcoming Great Backyard Bird Count, and my own, heart-warming geek love Valentine day short-story…

So, all those tiny bits cluttered like a planet aggregation process, dissolving my focus. Already 16h00?

As I mentioned previously, most of what I ‘m noting right now won’t ever make it to the novel you’ll read somewhere in the next year. Some of those, if I can’t place it in the novel, will turn up, greatly compressed, in one or two exploratory short-stories, set in the same universe.

What I will NOT do is integrating all that painstaking-ly gathered tidbits into the novel itself, under the form of some extra-large infodump, (or a rather lengthy explanation by a secondary character that will get killed in the next chapter).

Research as an iceberg

See research as the hidden part of the iceberg. What floats if what the reader experiences. If you tried to pull more of the iceberg over the water level, like I did in my first books (fortunately Daniel Sernine, my editor of the time, detected it) you would end up with an indigestible lump of details that weights down the storytelling.

Yes, I was one of those very interested in sharing all those cute details!

Yes it is soooo tempting to have your characters stop on a ridge and describe the wondrous landscape in excruciating details, over two or four pages! It is more palatable if the description is shorter, and punchy, like this one from a WIP:

The dunes went on and on, a pale sandbox barely contained by a row of angry mountains, each chipped and corroded summit vying for predominance.

Most of the research iceberg must stay invisible!

Solution is not dilution!

To keep our focus, it’s good to set limits, to avoid diluting our attention.

One solution in time management is to do the research after you complete writing a certain set number of words for the day. This is Kristine Kathryn Rusch’s method to limit the time spent in research. She also manage to get her research done before writing the novel, while she’s finishing the previous book.

Not the way of Dean Wesley Smith, who does his research as he writes, because some cool factoids will influence the story telling. I know it happened to a short-story I was researching for.

One obvious solution is to restrain the time passed on the social platforms. Or retire completely from social media in a period of rush. Julie E. Czerneda mentions it.

My own is setting a timer. Sometimes the amount of time is not enough and I prolong the time. Still work to do.

Or I use this experience to write a blog entry.

 

TL;DR : I lost time surfing the web for my research. Some remedies may apply

Flash news:

I had the joy of discovering that my last published SF story in Galaxies 60 (in French!)  is on the selection for the Grand Prix  de l’Imaginaire 2020.

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