Tag Archives: humor

The secret well of ideas

The secret well of ideas !If there is one question that every published author hears at other events, it is this one : But where do you get all those ideas ?

Secret well of ideasMany people who dream of becoming a (famous) writer are scratching their head to find this mysterious well of ideas. Most are under the impression that writers form a tight circle around a secret lair of the golden-egg-laying hen. The secret well of inspiration, teeming with ideas!

This belief joins another one : all writers signing at the events are filthy rich!  Or if they are not, it must be because they don’t have access to a good well.

This in nonsense, as chance and fashion are the capricious ingredients that make or unmake successes. Also, many are convinced that once this idea has been fished out of the well, the main work is done, the book will write itself! Hence this ubiquitous anguished question : will someone steal my idea?

Relax, it is rather the opposite. Ideas are like dandelion seeds, easy to blow : pfffffuit!

Chaaas blowing dandelion seeds

They are blown in the sky half-formed, and many budding writers try to capture them with  clumsy fingers ! When they manage to catch one, they notice that there is still a long way  between the seed and the grown tree, between the idea and the completed book!

About ideas, the following scene happens often at a signing table (preferably when the writer is alone). A fan walks by, telling of his wonderful idea for a novel, an idea so genial that the writer should leave all his current projects to do the hard work on it! It happens especially with the SF writers…

An idea may be a very small seed at the beginning, so we must not try to pull from it a completed 600-page spy novel !

Imagine if the writers worked like that!

(Who is this author?)

Les Nuages de Phoenix (The Clouds of Phoenix) was my first SF novel aimed at YA. The novel idea took a long time to grow.

It began with a simple mental picture, a girl looking at the clouds. One of my favorites activities when I was a child. I happened to like meteorology (and I later followed climatology courses when studying Geography). The place took form, Phoenix is another planet with a green sky. Why green? Ah, enter the airborne particles size, and many other explorations.

In that special environment, I found out that the little girl, Blanche,  was handicapped, a consequence of a grave accident, and she wears an exosqueleton that gives her legs the capability of running at 80 km/h (a fun fact when I mention it in classrooms). New characters appear : Blanche has a family: an big sister in love , a father worrying about the oxygen production plant, etc.  Those characters grow and eventually become like friends of the writer. This is a very nice step in the creative process, and I will come back to it in a future blog entry.

Cover of Les nuages de Phoenix

The clouds of Phœnix‘s seed idea took about one year to grow discreetly, before I was ready to write the full-length manuscript. Afterwards, there has been the long rewriting and edition process under my editor’s eye. All in all, the novel took almost two years (working on it part-time) between the seed and the finished work.

I wrote about the challenge of growing a story in my French blog. A story begins as a tiny seed, which we put in soil and water, leaving it for a time. But the idea grows in silence. And nothing prohibits us to have more than one idea growing! Certain will get ripe earlier than the others.

So, our inspiration tree must be fed, in three ways. We draw first from our own life experience, that help to get empathy with what our characters are living through. Then by our readings, any kind of reading: for researching our subject, for fun, for exploring different genres and ways of storytelling.. and last but not least, our imagination, always creating bridges.

The inspiration Tree

Many of those links may be absurd, but some will prove fecund.

A writer cannot get into an ivory tower and tell himself that his fertile imagination will be enough. Our plant needs watering, fertilizer, care: the three inspiration sources interact between themselves. And when the story gets too profuse, the care will later include pruning

(to be continued…)

A worker-at-home’s move…

A useful remainder

I don’t know if you are a worker-at-home like me, but getting to answer to all the gas-marketers, electricity-marketers, after-life marketers… knocking at your door is time and energy-consuming.

Here is a nice thing I drew on a whiteboard with markers. I can enjoy tranquillity at last!

Now, to tackle those pesky telemarketers… and their elusive bosses!

Merry wishes

All my best wishes for this blog’s readers!

Talking squids

Tsssk! Margaret Atwood doesn’t write Sf because she doesn’t write about “talking squids”. Her last novel, The Year of the flood, reviewed by UK LeGuin, is supposed to be Real Literature.  The Flood is good science-fiction, except  that you are not supposed to say it. High denial (S-F author is full denial stage)

My SF colleagues had a lot of fun trying to find something in their writing approaching this reduced definition of SF. I was certain I had coined in a story a funny-looking talking something, when… Ms Atwood changed her goalmark! Now, it must be a talking cabbage to pass muster as a real science-fiction writer.

Ursula K. Le Guin laments the passing of the squid on the Ansible : ‘[L]ast night on the Lehrer news hour Margaret Atwood did not say she did not write science fiction because she did not write about talking squids, but said that she did not write science fiction because she did not write about talking cabbages. I am pondering the significance of this change from sea beast to land vegetable, but so far it escapes me. She was otherwise charming, and I do think The Year of the Flood is good science fiction even though its cabbages are speechless.’ (23 September) Those eloquent cabbages presumably live on Planet X: the indefatigable Ms Atwood told the New York Times that her work is not sf since ‘I don’t write about Planet X, I write about where we are now.’ (21 September)

The ansible reports another funny thing concerning Cory Doctorow’s latest opus: Cory Doctorow has left our little genre behind, according to a review of his Makers subtitled ‘… a sci-fi writer growing up’: ‘It would be wrong to position this as a science fiction novel, even though it is set in the future and deals with technologies that do not yet exist …’ (Bill Thompson, New Humanist, September/October 2009)

The real reason is that the reviewer was enthralled with a good book, then the Pavlov reflex kicked in: (sing all together now): “If it is good, it can’t be science-fiction“.  Or the reverse: “If it is science-fiction, it can’t be good! ”

Ms Atwood’s book was ousted from the Booker’short list, by jury members who identified it (correctly) as SF, but were horrified by it. SF author Kim Stanley Robinson (of the Mars trilogy) asks why SF novels never wins the Booker Prize. Booker juries ignore SF submissions and give their awards to what usually turn out to be historical novels. He tells in his article, Science fiction: The stories of now: I say this as a happy fan and an awed colleague: the range, depth, intensity, wit and beauty of the science fiction being published in the UK these days is simply amazing.

Me, writing science-fiction? Naaah. I write real, grown-up, stern, serious, belly-gazing canadian literature! :^)

A steampunk vision of Montréal

This steampunk vision is my collaboration to the Anticipation WorldCon, in August 6th to 10th, at the Montréal Palais des Congrès. It is the cover of the third progress report. The drawing was made with ink, then scanned, with the colors digitally added.
The Aurora Awards will be announced in the evening of Friday the 7th. Do not push at the doors: the ceremony will be held with a banquet, at 40.00$ per guest.

Talking about SF…

There is an exposition including my books, at the Bibliothèque et Archives nationales du Québec called Virginia messagère des étoiles, underlining the Year of Astronomy.